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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Rag Shankara, Rag Mala in Jogia ： ウィキペディア英語版 Rag Shankara, Rag Mala in Jogia ''Rag Shankara, Rag Mala in Jogia'' is a studio album by Indian classical musician Ram Narayan, released in 1990. Recorded on 15 and 16 November 1989 in Wyastone Leys near Monmouth, Wales, the album features a ''sarangi'' performance of the solemn night ''raga'' ''Shankara'' and a ''raga mala'' ("garland of ragas") based on the introspective early morning ''raga'' ''Jogiya'' (or ''Jogia''). On both tracks, Narayan performs a long non-metrical introduction to unfold the ''raga'', during which he adds a pulse, until he is joined by the ''tabla'' (percussion) player to perform a composition. ==Origin== The album consists of performances of the ''ragas'' ''Shankara'' and ''Jogiya'' (also called ''Jogia''); ''Jogiya'' is performed in ''raga mala'' form. ''Shankara'' is considered a solemn and dignified ''raga'' that is difficult to master. It has been described by Vamanrao Deshpande as representing the "heroic mood". Luiz Martinez José argued that the ''raga'' was named for a gentle and guarding incarnation of the Hindu deity Shiva. ''Shankara'' is performed in the late night and distinguished by an emphasis on the third (Ga) and seventh (Ni) notes, the upper tetrachord, and several characteristic phrases and slow glides in descend.〔 It has similarities to the South Indian ''raga'' ''Hansadhvani''.〔 ''Jogiya'' is considered an introspective ''raga'' named for the ''yogi'' practice, and is often performed in devotional music and the light classical genre ''thumri''.〔Bor 1999, p. 92〕 Peter Manuel described it as the most important ''raga'' of the ''Bhairav'' ''that'' (''raga'' class based on the ''Bhairav'' scale type). ''Jogiya'' is performed at daybreak and emphasizes the tonic (Sa) and the fifth (Pa).〔 It has several characteristic phrases and, like ''Shankara'', is suited for the upper tetrachord.〔 Joep Bor argued that the ''raga'' appears to be related to ''raga'' ''Asavari''.〔 ''Jogiya'' is one of Narayan's favorite ''ragas''.〔 A ''raga mala'' ("garland of ragas") allows for the introduction of other ''ragas'', which can be from any time of the day.〔Bor 1999, p. 181〕 The change from ''Jogiya'' into another ''raga'' and back must be smooth as there is no break in the music, making a ''raga mala'' difficult to perform.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Rag Shankara, Rag Mala in Jogia」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.